Revelry Behind The Iron Curtain

Revelry Behind The Iron Curtain

Our bus rumbled across the Aswan High Dam, filled with Egyptian teenagers taking in their country’s history. I was accompanying my Cairene kids as their history teacher and chaperone but in truth, I was the most excited. I had dreamt of exploring the ancient cities and temples of the confusingly coined Upper Egypt ever since my older sister had won first place at the science fair, for her project on hieroglyphics. So, when the bus doors swung open, I was the first to rush out and explore.

I was immediately lured toward a giant towering structure off to the side by the sounds of laughter and music. A large commemorative plaque stood in front of the monument, lauding the cooperation of the Soviet Union and Egypt in their construction of the High Dam.

In the heart of the monument a large dance circle was developing, driven by drums and the sounds of song. Local field trippers and their dedicated teachers performed number after number as each kid had their moment at the centre of the circle. It struck me as an odd juxtaposition, the colourfully clad Egyptian revellers in the heart of a Soviet monument.

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